Heaven and Earth in the Literary Functions of Emily DickinsonHeaven and Earth in the Literary Functions of Emily Dickinson

Heaven and Earth in the Literary Functions of Emily Dickinson

Heaven, Earth, and Emily Dickinson

One will certainly interpret the poetry of Emily Dickinson just as, overwhelmingly, celebratory of dynamics and dismissive of a Christian god and afterlife. "Some keep carefully the Sabbath," for example, is common in its compliment of the natural community, affording a contented narrator, instead of church fixtures, "a good Bobolink for a Chorister-/And an Orchard, for a Dome." This praise concurrently dethrones heaven in seeming rejection of religious beliefs. Still different poems, like "There's a specific Slant of light," talk about heaven as the tyrannical bearer of "Heavenly Harm." Dickinson's acceptance of kind aspect, however, do not need to bring a disavowal of faith. When the narrator in "Sabbath" claims to "put on [their] wings," they advise that heaven merges with, instead of departing from, nature, a note more reflective of her poetry's collective personality. Dickinson's poetry tends to point never to an uplifting or reducing of aspect or heaven, but instead toward heaven's simultaneous encompassing of dynamics and sameness with it.

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Dickinson will portray the holy and ethereal as, if certainly not cruel and domineering, stupefying. In "This World isn't conclusion," the speaker phone calls the denizens of heaven "a Species" that "stands beyond" in addition world, but also what many call the best of human understanding: "It beckons, and it baffles-/Philosophy, have no idea. To guess

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